Title |
Author(s) |
Creative Symbolic Interaction
|
Assayag, Gérard |
Mathews’ Diagram and Euclid’s Line: Fifty Years Ago
|
Chowning, John |
What Is Sound?
|
Nelson, Peter |
Sound and Music Computing Meets Philosophy
|
Risset, Jean-Claude |
Rhythmic Processes in Electronic Music
|
Roads, Curtis |
Chorale Synthesis by the Multidimensional Scaling of Pitches
|
Barlow, Clarence |
Musings on the Status of Electronic Music Today
|
Lippe, Cort |
Echoes in Plato’s Cave: Ontology of Sound Objects in Computer Music and Analysis
|
Marsden, Alan |
The place and meaning of computing in a sound relationship of man, machines, and environment
|
Di Scipio, Agostino |
Xenakis’s Philosophy of Technology Through Some Interviews
|
Solomos, Makis |
Real-Time Composition of Sound Environments
|
Spiropoulos, Georgia |
Computational ethnomusicology: a music information retrieval perspective
|
Tzanetakis, George |
Auditory Fusion and Holophonic Musical Texture in Xenakis’s Pithoprakta
|
Kokoras, Panayiotis |
Chronotope: the mutual dependency of time and space in visual music
|
Zavada, Ivan |
Computer Game Piece: Exploring Video Games as Means for Controlled Improvisation
|
Jackowski, Dariusz; Melendez, Francho; Bauer, Andrzej; Hendrich, Paweł; Duchnowski, Cezary |
Computer, Formalisms, Intuition and Metaphors. A Xenakian and Post-Xenakian Approach
|
Besada, José L. |
Contemporary Practices in the Performance and Sustainability of Computer Music Repertoire
|
Baguyos, Jeremy C. |
Could the endless progressions in James Tenney’s music be viewed as sonic koans?
|
Féron, François-Xavier |
Creativity Through Technology And Science In Xenakis
|
Paparrigopoulos, Kostas |
December Variations (on a Theme by Earle Brown)
|
Hoadley, Richard |
Degrees of Interpretation in Computer Aided Algorithmic Composition
|
Aslan, Jessica |
Diffusing Diffusion: A History of the Technological Advances in Spatial Performance
|
Johnson, Bridget; Norris, Michael; Kapur, Ajay |
Digitally Extending the Optical Soundtrack
|
Dupuis, Alexander; Dominguez, Carlos |
Easter Eggs: Hidden Tracks and Messages in Musical Mediums
|
Weinel, Jonathan; Griffiths, Darryl; Cunningham, Stuart |
EROTICISM AND TIME IN COMPUTER MUSIC: JULIANA HODKINSON AND NIELS RØNSHOLDT’S FISH & FOWL
|
Sofer, Danielle |
Examining the Analysis of Dynamical Sonic Ecosystems: in Light of a Criterion for Evaluating Theories
|
Musick, Michael |
Expanding the Vocalist’s Role Through the Use of Live Electronics in Real-Time Improvisation
|
Åse, Tone |
Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation
|
Hödl, Oliver; Fitzpatrick, Geraldine; Holland, Simon |
Exploring a Visual/Sonic Representational Continuum
|
Vickery, Lindsay |
From Automatic Sound Analysis of Gameplay Footage [Echos] to the Understanding of Player Experience [Ethos]: an Interdisciplinary Approach to Feedback- Based Gameplay Metrics
|
Marczak, Raphael; Hanna, Pierre; Rouas, Jean-Luc; van Vught, Jasper; Schott, Gareth |
From Digital ‘Echos’ to virtual ‘ethos’: Ethical aspects of Music Technology
|
Kosteletos, George; Georgaki, Anastasia |
From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax’s Riverrun
|
Clarke, Michael; Dufeu, Frédéric; Manning, Peter |
How blue is Mozart? Non verbal sensory scales for describing music qualities
|
Murari, Maddalena; Rodà, Antonio; Da Pos, Osvaldo; Canazza, Sergio; De Poli, Giovanni; Sandri, Marta |
Lose control, gain influence - Concepts for Metacontrol
|
de Campo, Alberto |
Music Systemisers and Music Empathisers – Do they rate expressiveness of computer generated performances the same?
|
Schubert, Emery; De Poli, Giovanni; Roda, Antonio; Canazza, Sergio |
OPERAcraft: Blurring the Lines between Real and Virtual
|
Ico Bukvic, Ivica; Cahoon, Cody; Wyatt, Ariana; Cowden, Tracy; Dredger, Katie |
Realism, Art, Technology and Audiovisual Immersion into the Environment of the Ionian Islands
|
Loufopoulos, Apostolos; Heliades, George; Emmanouil, Minas; Matagkos, Fanis |
The Ghost in the MP3
|
Maguire, Ryan |
The Use of Rhythmograms in the Analysis of Electroacoustic Music, with Application to Normandeau’s Onomatopoeias Cycle
|
Hirst, David |
Timbral Hauntings: An Interactive System Re-Interpreting the Present in Echoes of the Past
|
Musick, Michael; Park, Tae Hong |
Towards an Aesthetic of Electronic-Music Performance Practice
|
Ciciliani, Marko |
Towards Defining the Potential of Electroacoustic Infrasonic Music
|
Story Crawshaw, Alexis |
Zwischenräume - A Case Study in the Evaluation of Interactive Sound Installations
|
Marentakis, Georgios; Pirrò, David; Kapeller, Raphael |
A Genetic Algorithm Approach to Collaborative Music Creation on a Multi-Touch Table
|
Klügel, Niklas; Lindström, Andreas; Groh, Georg |
AutoRhythmGuitar: Computer-aided Composition for Rhythm Guitar in the Tab Space
|
McVicar, Matt; Fukayama, Satoru; Goto, Masataka |
Broadening Telematic Electroacoustic Music by Affective Rendering and Embodied Real-time Data Sonification
|
Whalley, Ian |
cage: a high-level library for real-time computer-aided composition
|
Agostini, Andrea; Daubresse, Éric; Ghisi, Daniele |
Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities
|
Kalodiki, Georgia |
Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition
|
Bernardes, Gilberto; Davies, Matthew E. P.; Guedes, Carlos; Pennycook, Bruce |
Declarative Composition and Reactive Control in Marsyas
|
Leben, Jakob; Tzanetakis, George |
Directed Transitional Composition for Gaming and Adaptive Music Using Q-Learning
|
Cullimore, Jason; Hamilton, Howard; Gerhard, David |
EmbodiComp: Embodied Interaction for Mixing and Composition
|
El-Shimy, Dalia; Cowan, Steve; Cooperstock, Jeremy R. |
Griddy: a Drawing Based Music Composition System with Multi-layered Structure
|
Kim, Keunhyoung Luke; Seung Yeo, Woon |
Kara: a BCI approach to composition
|
Cádiz, Rodrigo F.; de la Cuadra, Patricio |
Kuatro: A Motion-Based Framework for Interactive Music Installations
|
Johnson, David; Manaris, Bill; Vassilandonakis, Yiorgos; Stoudenmier, Seth |
Modelling the live-electronics in electroacoustic music using particle systems
|
Perrotta, André V.; Menezes, Flo; Martins, Luis Gustavo |
Musical perspectives on composition, sonification and performace
|
de Götzen, Amalia; Bernardini, Nicola; Vidolin, Alvise |
NEYMA, interactive soundscape composition based on a low budget motion capture system.
|
Alessandretti, Stefano; Sparano, Giovanni |
pOM: Linking Pen Gestures to Computer-Aided Composition Processes
|
Garcia, Jérémie; Leroux, Philippe; Bresson, Jean |
Principles of Visual Design for Computer Music
|
Wang, Ge |
Query-by-Multiple-Examples: Content-Based Search in Computer-Assisted Sound-Based Musical Composition
|
Fernandes Tavares, Tiago; Manzolli, Jônatas |
Real-time Breeding Composition System by means of Genetic Programming and Breeding Procedure
|
Ando, Daichi |
Real-time Music Composition through P-timed Petri Nets
|
Baratè, Adriano; Haus, Goffredo; Ludovico, Luca A. |
Sense: an electroacoustic composition for surround sound and tactile transducers
|
Kokoras, Panayiotis |
Sound of Rivers: Stone Drum: a Multimedia Collaboration, with Sonified Data, Computer-Processed Narration, and Electric Violin
|
Nichols, Charles; Lorang, Mark; Gibbons, Mark; Bradley Browning, Nicole; Bushnell, Amber |
Swarm Lake: A Game of Swarm Intelligence, Human Interaction and Collaborative Music Composition
|
Kaliakatsos–Papakostas, M.; Floros, A.; Drossos, K.; Koukoudis, K.; Kyzalas, M.; Kalantzis, A. |
Tangibility and Low-Level Live Coding
|
Diapoulis, Georgios; Zannos, Ioannis |
The Creation and Projection of Space-Source in Electroacoustic Music.
|
Lotis, Theodoros |
The Procedural Sounds and Music of ECHO::Canyon
|
Hamilton, Robert |
Transcription, Adaptation and Maintenance in Live Electronic Performance with Acoustic Instruments
|
Furniss, Pete; Dudas, Richard |
Translation as Technique: Collaboratively Creating an Electro-Acoustic Composition for Saxophone and Live Video Projection
|
Jette, Christopher; Thomas, Kelland; Villegas, Javier; Graeme Forbes, Angus |
“Topos” toolkit for Pure Data: exploring the spatial features of dance gestures for interactive musical applications
|
Naveda, Luiz; Santana, Ivani |
Bassline Pitch Prediction for Real-Time Performance Systems
|
Robertson, Andrew |
Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks
|
Lambert, Andrew; Weyde, Tillman; Armstrong, Newton |
Citygram One: One Year Later …
|
Park, Tae Hong; Musick, Michael; Turner, John; Mydlarz, Charlie; Lee, Jun Hee; You, Jaeseong; DuBois, Luke |
Design process for interactive sound installations: the designer, the interactor and the system
|
Le Prado, Cécile; Natkin, Stéphane |
ICE - towards distributed networked computermusic ensemble
|
Ritsch, Winfried |
Influence of Expressive Coupling in Ensemble Performance on Musicians’ Body Movement
|
Mota, Davi; Loureiro, Maurício; Laboissière, Rafael |
Mobile Phones as Ubiquitous Instruments: Towards Standardizing Performance Data on the Network
|
Bowen, Nathan; Reeder, David |
Movable Party: A bicycle-powered system for interactive musical performance
|
Kemper, Steven; Hsu, Wendy F.; Sargent, Carey; Taylor, Josef; Wei, Linda |
Polytempo Network: A System for Technology-Assisted Conducting
|
Kocher, Philippe |
Real-time Manipulation of Syncopation in Audio Loops
|
Cocharro, Diogo; Sioros, George; Caetano, Marcelo; Davies, Matthew E.P. |
StiffNeck: The Electroacoustic Music Performance Venue in a Box
|
Eckel, Gerhard; Rumori, Martin |
Tactile Composition: Configurations and communications for a musical haptic chair
|
Armitage, Joanne; Ng, Kia |
The Black Swan: Probable and Improbable Communcation Over Local and Geographically Displaced Networked Connections as a Musical Performance System
|
Aska, Alyssa |
A computer-mediated Interface for Jazz Piano Comping
|
Dias, Rui; Guedes, Carlos; Marques, Telmo |
A High-Level Review of Mappings in Musical iOS Applications
|
Kell, Thor; Wanderley, Marcelo M. |
A Hybrid Guitar Physical Model Controller: The BladeAxe
|
Michon, Romain; III Smith, Julius O. |
AFFECTIVE JUKEBOX: A CONFIRMATORY STUDY OF EEG EMOTIONAL CORRELATES IN RESPONSE TO MUSICAL STIMULI
|
Eaton, Joel; Williams, Duncan; Miranda, Eduardo |
Animating Timbre - A User Study
|
Soraghan, Sean |
ArmKeyBoard: A Mobile Keyboard Instrument Based on Chord-scale System and Tonal Hierarchy
|
Deng, Jun-qi; Chi Moon Lau, Francis; Kwok, Yu-kwong |
AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music
|
Coffy, Thomas; Cont, Arshia; Giavitto, |
Being There & Being With: The Philosophical and Cognitive Notions of Presence and Embodiment in Virtual Instruments
|
Luciani, Annie |
Building a Gamelan from Bricks
|
NGIAO, Tzu-En |
Conceptual Blending in Biomusic Composition Space: The “Brainswarm” Paradigm
|
Hadjileontiadis, Leontios J. |
Corporeality, Actions and Perceptions in Gestural Performance of Digital Music
|
Schacher, Jan C. |
Creating a Place as a Medium for Musical Communication Using Multiple Electroencephalography
|
Hamano, Takayuki; Ohmura, Hidefumi; Nakagawa, Ryu; Terasawa, Hiroko; Hoshi-Shiba, Reiko; Okanoya, Kazuo; Furukawa, Kiyoshi |
CriticalEd: A Tool for Assisting with the Creation of Critical Commentaries
|
Mølholt Kjellberg, Caspar; Meredith, David |
Implementations of the Leap Motion in sound synthesis, effects modulation and assistive performance tools
|
Hantrakul, Lamtharn; Kaczmarek, Konrad |
Infrared vs. Ultrasonic Finger Detection on a Virtual Piano Keyboard
|
De Pra, Yuri; Fontana, Federico; Tao, Linmi |
Leap Motion As Expressive Gestural Interface
|
Ritter, Martin; Aska, Alyssa |
Little Drummer Bot: Building, Testing, and InterfacingWith a New Expressive Mechatronic Drum System
|
Murphy, Jim; Carnegie, Dale A.; Kapur, Ajay |
MAPPING MOTION TO TIMBRE: ORIENTATION, FM SYNTHESIS AND SPECTRAL FILTERING
|
Neuman, Israel; Okpala, Charles; Bonezzi, Cesar E. |
Mechatronic Keyboard Music: Design, Evaluation, and Use of a New Mechatronic Harmonium
|
Murphy, Jim; Kapur, Ajay; Carnegie, Dale A. |
miniAudicle for iPad: Touchscreen-based Music Software Programming
|
Salazar, Spencer; Wang, Ge |
MoveOSC — Smart Watches in Mobile Music Performance
|
Migicovsky, Alex; Scheinerman, Jonah; Essl, Georg |
Multi-touch Interface for Acousmatic Music Spatialization
|
Le Vaillant, Gwendal; Giot, Rudi |
Mutor: Drone Chorus of Metrically Muted Motors
|
Zareei, Mo H.; Carnegie, Dale A.; Kapur, Ajay; McKinnon, Dugal |
NICO: An Open-Source Interface, Bridging the Gap Between Musician and Tesla Coil
|
Johnston, Blake; Bailey, Josh; McKinnon, Dugal |
NLN-live, an application for live nonlinear and interactive instrumental music
|
van Nispen tot Pannerden, N.J. |
Organic Oscillator: Experiments using Natural Oscillation Sources from Audiences
|
Fan, Yuan-Yi |
P300 Harmonies: A Brain-Computer Musical Interface
|
Vamvakousis, Zacharias; Ramirez, Rafael |
Scaling Up Live Internet Performance with The Global Net Orchestra
|
Dannenberg, Roger B.; Neuendorffer, Tom |
SCULPTON: A MALLEABLE TANGIBLE INTERFACE FOR SOUND SCULPTING
|
Boem, Alberto |
Sensors2PD: Mobile sensors and WiFi information as input for Pure Data
|
Deusany de Carvalho Junior, Antonio |
SkipStep: A Multi-Paradigm Touch-screen Instrument
|
Sarwate, Avneesh; Snyder, Jeff |
Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology
|
Cadoz, Claude; Luciani, Annie; Villeneuve, Jérôme; Kontogeorgakopoulos, Alexandros; Zannos, Iannis |
TC-Data: Extending Multi-Touch Interfaces for Generalized Relational Control
|
Schlei, Kevin |
The Breath Engine: Challenging Biological and Technological Boundaries through the Use of NK Complex Adaptive Systems
|
Cantrell, Joe; Zyskowski, Colin; Ceccato, Drew |
The feature extraction based hypersampler in Il grifo nelle perle nere: a bridge between player and instrument paradigm
|
Marinoni, Marco |
Towards Touch Screen Live Instruments with Less Risk: A Gestural Approach
|
Jangwon Lee, Edward; Seung Yeo, Woon |
Turnector: Tangible ControlWidgets For Capacitive Touchscreen Devices
|
Rutter, Edward Kingsley; Mitchell, Tom; Nash, Chris |
Unisoner: An Interactive Interface for Derivative Chorus Creation from Various Singing Voices on the Web
|
Tsuzuki, Keita; Nakano, Tomoyasu; Goto, Masataka; Yamada, Takeshi; Makino, Shoji |
tactile.motion: An iPad Based Performance Interface For Increased Expressivity In Diffusion Performance
|
Johnson, Bridget; Norris, Michael; Kapur, Ajay |
Ambisonics User Defined Opcodes for Csound
|
Neukom, Martin |
An Agent Based Approach to Interaction and Composition
|
Pearse, Stephen; Moore, David |
ImmLib - A new library for immersive spatial composition
|
Cerdeira Negrão, Miguel |
Introducing the Zirkonium MK2 System for Spatial Composition
|
Wagner, David; Brümmer, Ludger; Dipper, Götz; Otto, Jochen Arne |
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration
|
Sharma, Gerriet K.; Zotter, Franz; Frank, Matthias |
SPATIAL AND KINEMATIC MODELS FOR PROCEDURAL AUDIO IN 3D VIRTUAL ENVIRONMENTS
|
Pecino, Ignacio |
SPATIAL UTILIZATION OF SENSORY DISSONANCE AND THE CREATION OF SONIC SCULPTURE
|
Hansen, Brian |
The Future of Spatial Computer Music
|
Lyon, Eric |
The HOA library, review and prospects
|
Anne, Sèdes; Pierre, Guillot; Eliott, Paris |
The SpatDIF library – Concepts and Practical Applications in Audio Software
|
Schacher, Jan C.; Miyama, Chikashi; Lossius, Trond |
Towards Open 3D Sound Diffusion Systems
|
Lopez-Lezcano, Fernando |
A Paradigm Shift for Modelling Sound Sensation
|
Mourjopoulos, John N. |
About the Different Types of Listeners for Rating the Overall Listening Experience
|
Schoeffler, Michael; Herre, Jürgen |
ALARM/WILL/SOUND: PERCEPTION, CHARACTERIZATION, ACOUSTIC MODELING, AND DESIGN OF MODIFIED CAR ALARMS
|
Sigman, Alexander; Misdariis, Nicolas |
Color and emotion caused by auditory stimuli
|
Partesotti, Elena; Fernandes Tavares, Tiago |
EVALUATING PERCEPTUAL SEPARATION IN A PILOT SYSTEM FOR AFFECTIVE COMPOSITION
|
Williams, Duncan; Kirke, Alexis; Miranda, Eduardo; Daly, Ian; Roesch, Etienne B.; Weaver, James C. E.; Nasuto, Slawomir J. Nasuto |
Human Perception of the Soundscape in a Metropolis through the Phenomenology of Neural Networks
|
Santucci, Enrica; Ludovico, Luca A. |
Loudness Normalisation: Paradigm Shift or Placebo for the Use of Hyper-Compression in Pop Music?
|
Ronan, Malachy; Sazdov, Robert; Ward, Nicholas |
Musical Timbre and Emotion: The Identification of Salient Timbral Features in Sustained Musical Instrument Tones Equalized in Attack Time and Spectral Centroid
|
Wu, Bin; Horner, Andrew; Lee, Chung |
μTunes: A Study of Musicality Perception in an Evolutionary Context
|
Sidorov, Kirill; Hawkins, Robin; Jones, Andrew; Marshall, David |
Optimal Acoustic Reverberation Evaluation of Byzantine Chanting in Churches
|
Mourjopoulos, John; Papadakos, Charalambos; Kamaris, Gavriil; Chryssochoidis, Georgios; Kouroupetoglou, Georgios |
Perception of Interactive Vibrotactile Cues on the Acoustic Grand and Upright Piano
|
Fontana, Federico; Avanzini, Federico; Järveläinen, Hanna; Papetti, Stefano; Zanini, Francesco; Zanini, Valerio |
Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System
|
Frid, Emma; Giordano, Marcello; Schumacher, M. Marlon; Wanderley, Marcelo M. |
Resolving Octave Ambiguities: A Cross-dataset Investigation
|
Su, Li; Yu, Li-Fan; Yang, Yi-Hsuan; Lai, Hsin-Yu |
STUDY OF THE PERCEPTUAL AND SEMANTIC DIVERGENCE OF DIGITAL AUDIO PROCESSED BY RESTORATION ALGORITHMS
|
Cenceschi, Sonia; Klauer, Giorgio |
Test Methods for Score-Based Interactive Music Systems
|
Poncelet, Clément; Jacquemard, Florent |
Timbre Features and Music Emotion in Plucked String, Mallet Percussion, and Keyboard Tones
|
Chau, Chuck-jee; Wu, Bin; Horner, Andrew |
Algebraic Mozart by Tree Synthesis
|
Hirata, Keiji; Tojo, Satoshi; Hamanaka, Masatoshi |
Algorithmic Cross-Mixing And Rhythmic Derangement
|
Baracskai, Zlatko |
An Idiom-independent Representation of Chords for Computational Music Analysis and Generation
|
Cambouropoulos, Emilios; Kaliakatsos-Papakostas, Maximos; Tsougras, Costas |
Analysis of the Simultaneity, Voice/layer Balance, and Rhythmic Phrasing in Works for Guitar by Rodrigo, Brouwer, and Villa-Lobos
|
Freire, Sérgio; Nézio, Lucas; dos Reis, Anderson |
AutoChorusCreator : Four-Part Chorus Generator with Musical Feature Control, Using Search Spaces Constructed from Rules of Music Theory
|
Evans, Benjamin; Fukayama, Satoru; Goto, Masataka; Munekata, Nagisa; Ono, Tetsuo |
Computing Musical Meter – an Approach to an Integrated Formal Description
|
Härpfer, Bernd |
Corpora for Music Information Research in Indian Art Music
|
Srinivasamurthy, Ajay; Krishna Koduri, Gopala; Gulati, Sankalp; Ishwar, Vignesh; Serra, Xavier |
Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX
|
Einbond, Aaron; Trapani, Christopher; Agostini, Andrea; Ghisi, Daniele; Schwarz, Diemo |
FugueGenerator - Collaborative Melody Composition Based on a Generative Approach for Conveying Emotion in Music
|
Klügel, Niklas; Hagerer, Gerhard; Groh, Georg |
Improving accompanied Flamenco singing voice transcription by combining vocal detection and predominant melody extraction
|
Kroher, Nadine; Gómez, Emilia |
Interval Scale as Group Generators
|
Tanaka, Tsubasa; Furukawa, Kiyoshi |
Landmark Detection in Hindustani Music Melodies
|
Gulati, Sankalp; Serrà, Joan; Ganguli, Kaustuv K.; Serra, Xavier |
Modality
|
Baalman, Marije; Bovermann, Till; de Campo, Alberto; Negrão, Miguel |
Modulus p Rhythmic Tiling Canons and some implementations in Open Music visual programming language
|
Caure, Hélianthe; Agon, Carlos; Andreatta, Moreno |
Probabilistic harmonization with fixed intermediate chord constraints
|
Kaliakatsos–Papakostas, Maximos; Cambouropoulos, Emilios |
Real Time Tempo Canons with Antescofo
|
Trapani, Christopher; Echeveste, José |
Sampling the extrema from statistical models of music with variable neighbourhood search
|
Herremans, Dorien; Sörensen, Kenneth; Conklin, Darrell |
Some perspectives in the artistic rendering of music scores
|
Evangelista, Gianpaolo |
Spatial Transformations in Simplicial Chord Spaces
|
Bigo, Louis; Ghisi, Daniele; Spicher, Antoine; Andreatta, Moreno |
Spatialization Symbolic Music Notation at ICST
|
Ellberger, Emile; Toro Perez, Germán; Schuett, Johannes; Zoia, Giorgio; Cavaliero, Linda |
The Counterpoint Game: Rules, Constraints and Computational Spaces
|
Samory, Mattia; Mandanici, Marcella; Canazza, Sergio; Peserico, Enoch |
The notion of Ethos in Arabic music: computational modeling of Al-Urmawi's modes (13th Century) in Csound
|
Belhassen, Raed |
A History of Emerging Paradigms in EEG for Music
|
Christopher, Kameron R.; Kapur, Ajay; Carnegie, Dale A.; Grimshaw, Gina M. |
A Study on Cross-cultural and Cross-dataset Generalizability of Music Mood Regression Models
|
Hu, Xiao; Yang, Yi-Hsuan |
An Experimental Classification of the Programming Patterns for Scheduling in Computer Music Programming
|
Nishino, Hiroki |
Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors
|
Kroher, Nadine; Gómez, Emilia |
Distance in Pitch Sensitive Time-span Tree
|
Matsubara, Masaki; Hirata, Keiji; Tojo, Satoshi |
Estimation of Vocal Duration in Monaural Mixtures
|
Elowsson, Anders; Schön, Ragnar; Höglund, Matts; Zea, Elias; Friberg, Anders |
Instantaneous Detection and Classification of Impact Sound: Turning Simple Objects into Powerful Musical Control Interfaces
|
Stefanakis, Nikolaos; Mastorakis, Yannis; Mouchtaris, Athanasios |
Merged-Output Hidden Markov Model for Score Following of MIDI Performance with Ornaments, Desynchronized Voices, Repeats and Skips
|
Nakamura, Eita; Ono, Nobutaka; Saito, Yasuyuki; Sagayama, Shigeki |
METHOD TO DETECT GTTM LOCAL GROUPING BOUNDARIES BASED ON CLUSTERING AND STATISTICAL LEARNING
|
Kanamori, Kouhei; Hamanaka, Masatoshi; Hoshino, Junichi |
Power-Scaled Spectral Flux and Peak-Valley Group-Delay Methods for Robust Musical Onset Detection
|
Su, Li; Yang, Yi-Hsuan |
Short-term and Long-term Evaluations of Melody Editing Method based on Melodic Outline
|
Kitahara, Tetsuro; Tsuchiya, Yuichi |
Teaching Robots to Conduct: Automatic Extraction of Conducting Information from Sheet Music
|
Salgian, Andrea; Agina, Lawrence; Nakra, Teresa M. |
Towards Soundscape Information Retrieval (SIR)
|
Park, Tae Hong; Lee, Jun Hee; You, Jaeseong; Yoo, Min-Joon; Turner, John |
Transient Analysis for Music and Moving Images: Considerations for Television Advertising
|
Rogers, Andrew; Gibson, Ian |
Violin Fingering Estimation According to Skill Level based on Hidden Markov Model
|
Nagata, Wakana; Sako, Shinji; Kitamura, Tadashi |
A Multi-agent Interactive composing system for creating “expressive” accompaniment.
|
Spicer, Michael |
An Automatic Singing Impression Estimation Method Using Factor Analysis and Multiple Regression
|
Kanato, Ai; Nakano, Tomoyasu; Goto, Masataka; Kikuchi, Hideaki |
Automatic Competency Assessment of Rhythm Performances of Ninth-grade and Tenth-grade Pupils
|
Abeßer, Jakob; Hasselhorn, Johannes; Grollmisch, Sascha; Dittmar, Christian; Lehmann, Andreas |
HMM-BASED AUTOMATIC ARRANGEMENT FOR GUITARS WITH TRANSPOSITION AND ITS IMPLEMENTATION
|
Hori, Gen; Sagayama, Shigeki |
Intelligent Exploration of Sound Spaces Using Decision Trees and Evolutionary Approach
|
Kreković, Gordan; Petrinović, Davor |
Laminae: A stochastic modeling-based autonomous performance rendering system that elucidates performer characteristics
|
Okumura, Kenta; Sako, Shinji; Kitamura, Tadashi |
Machine Improvisation with Formal Specifications
|
Donzé, Alexandre; Valle, Rafael; Akkaya, Ilge; Libkind, Sophie; Seshia, Sanjit A.; Wessel, David |
ML.* MACHINE LEARNING LIBRARY AS A MUSICAL PARTNER IN THE COMPUTER-ACOUSTIC COMPOSITION FLIGHT
|
Smith, Benjamin D.; Deal, W. Scott |
Planning Human-Computer Improvisation
|
Nika, Jérôme; Echeveste, José; Chemillier, Marc; Giavitto, Jean-Louis |
Tempo Prediction Model for Accompaniment System
|
Wada, Shizuka; Horiuchi, Yasuo; Kuroiwa, Shingo |
A BOWED STRING PHYSICAL MODEL INCLUDING FINITE-WIDTH THERMAL FRICTION AND HAIR DYNAMICS
|
Maestre, Esteban; Spa, Carlos; Smith III, Julius O. |
A flexible and modular crosslingual voice conversion system
|
Machado, Anderson Fraiha; Queiroz, Marcelo |
A framework for music analysis/resynthesis based on matrix factorization
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Burred, Juan José |
A Research of Automatic Composition and Singing Voice Synthesis System for Taiwanese Popular Songs
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Huang, Chih-Fang; Hong, Wei-Gang; Li, Min–Hsuan |
A Method of Timbre-Shape Synthesis Based On Summation of Spherical
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Putnam, Lance |
ATK Reaper: The Ambisonic Toolkit as JSFX plugins
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Lossius, Trond; Anderson, Joseph |
Audio Signal Visualisation and Measurement
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Gareus, Robin; Goddard, Chris |
Audio-Rate Modulation of Physical Model Parameters
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Berdahl, Edgar |
Detection of Random Spectral Alterations of Sustained Musical Instrument Tones in Repeated Note Contexts
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Lee, Chung; Horner, Andrew |
Effects of different bow stroke styles on body movements of a viola player: an exploratory study
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Visi, Federico; Coorevits, Esther; Miranda, Eduardo; Leman, Marc |
Evaluating HRTF Similarity through Subjective Assessments: Factors that can Affect Judgment
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Andreopoulou, Areti; Roginska, Agnieszka |
Gamma: A C++ Sound Synthesis Library Further Abstracting the Unit Generator
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Putnam, Lance |
Gene expression synthesis
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Allik, Alo |
Modular Physical Modeling Synthesis Environments on GPU
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Bilbao, Stefan; Torin, Alberto; Graham, Paul; Perry, James; Delap, Gordon |
Musical Audio Denoising Assuming Symmetric α-Stable Noise
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Bassiou, Nikoletta; Kotropoulos, Constantine |
MUSICAL AUDIO SYNTHESIS USING AUTOENCODING NEURAL NETS
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Sarroff, Andy M.; Casey, Michael |
ON THE PLAYING OF MONODIC PITCH IN DIGITAL MUSIC INSTRUMENTS
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Goudard, Vincent; Genevois, Hugues; Feugère, Lionel |
Parameter Estimation of Virtual Musical Instrument Synthesizers
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Itoyama, Katsutoshi; Okuno, Hiroshi G. |
Sonification of Controlled Quantum Dynamics
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Kontogeorgakopoulos, Alexandros; Burgarth, Daniel |
Sound Shapes and Spatial Texture: Frequency-Space Morphology
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Stuart, James |
The sound effect of ancient Greek theatrical masks
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Kontomichos, Fotios; Papadakos, Charalampos; Georganti, Eleftheria; Vovolis, Thanos; Mourjopoulos, John N. |
The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model
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Werner, Kurt James; Abel, Jonathan S.; Smith, Julius O. |
Timbre-invariant Audio Features for Style Analysis of Classical Music
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Weiß, Christof; Mauch, Matthias; Dixon, Simon |
Touchpoint: Dynamically Re-Routable Effects Processing as a Multi-Touch Tablet Instrument
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Suda, Nicholas K.; Vallis, Owen S. |
Toward Real-Time Estimation of Tonehole Configuration
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Smyth, Tamara; Wang, Cheng-i |
Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings
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Biral, Julien; d’Alessandro, Nicolas; Freed, Adrian |
Understanding and Tuning Mass-Interaction Networks Through Their Modal Representation
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Villeneuve, Jerome; Cadoz, Claude |
Visualization and manipulation of stereophonic audio signals by means of IID and IPD
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Presti, Giorgio; Haus, Goffredo; Mauro, Davide A. |
HarmonyMixer: Mixing the Character of Chords among Polyphonic Audio
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Fukayama, Satoru; Goto, Masataka |
A Protocol for creating Multiagent Systems in Ensemble with Pure Data
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Bruel, Pedro; Queiroz, Marcelo |
Audio Rendering/Processing and Control Ubiquity ? a Solution Built Using the Faust Dynamic Compiler and JACK/NetJack
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Letz, Stephane; Denoux, Sarah; Orlarey, Yann |
Comparing models of symbolic music using probabilistic grammars and probabilistic programming
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Abdallah, Samer A.; Gold, Nicolas E. |
Connecting SUM with computer-assisted composition in PWGL: Recreating the graphic scores of Anestis Logothetis
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Adhitya, Sara; Kuuskankare, Mika |
DIMI-6000: An Early Musical Microcomputer by Erkki Kurenniemi
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Lassfolk, Kai; Suominen, Jari; Ojanen, Mikko |
Extending Aura with Csound Opcodes
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Yi, Steven; Lazzarini, Victor; Dannenberg, Roger; ffitch, John |
Flocking: A Framework for Declarative Music-Making on theWeb
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Clark, Colin; Tindale, Adam |
GenoMeMeMusic: a Memetic-based Framework for Discovering the Musical Genome
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Velardo, Valerio; Vallati, Mauro |
LC: A New Computer Music Programming Language with Three Core Features
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NISHINO, Hiroki; OSAKA, Naotoshi; NAKATSU, Ryohei |
Model-View-Controller separation in Max using Jamoma
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Lossius, Trond; de la Hogue, Theo; Baltazar, Pascal; Place, Tim; Wolek, Nathan; Rabin, Julien |
Mostly-Strongly-Timed Programming in LC
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NISHINO, Hiroki; NAKATSU, Ryohei |
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments
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MacCallum, John; Freed, Adrian; Wessel, David |
o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction
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Freed, Adrian; DeFilippo, David; Gottfried, Rama; MacCallum, John; Lubow, Jeff; Razo, Derek; Wessel, David |
Programmation and Control of Faust Sound Processing in OpenMusic
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Bouche, Dimitri; Bresson, Jean; Letz, Stéphane |
Representation of Musical Computer Processes
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Fober, Dominique; Orlarey, Yann; Letz, Stéphane |
SoDA: A Sound Design Accelerator for the automatic generation of soundscapes from an ontologically annotated sound library
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Valle, Andrea; Armao, Paolo; Casu, Matteo; Koustomichalis, Marinos |
Sound Processes: A New Computer Music Framework
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Rutz, Hanns Holger |
Using natural language to specify sound parameters
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Milde, Jan-Torsten |
Vuza: a functional language for creative applications
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Cella, Carmine-Emanuele |
3DMIN — Challenges and Interventions in Design, Development and Dissemination of New Musical Instruments
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Bovermann, Till; Hinrichsen, Amelie; Hildebrand Marques Lopes, Dominik; de Campo, Alberto; Egermann, Hauke; Foerstel, Alexander; Hardjowirogo, Sarah-Indriyati; Pysiewicz, Andreas; Weinzierl, Stefan |
A design exploration on the effectiveness of vocal imitations
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Monache, Stefano Delle; Baldan, Stefano; Mauro, Davide A.; Rocchesso, Davide |
A Recursive Mapping System for Motion and Sound in a Robot between Human Interaction Design
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Bökesoy, Sinan |
Ambient culture: coping musically with the environment
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Maeder, Marcus |
Association of Sound movements in space to Takete and Maluma
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de Götzen, Amalia |
Augmented Exercise Biking with Virtual Environments for Elderly Users: Considerations on the use of auditory
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Bruun-Pedersem, Jon Ram; Serafin, Stefania; Busk Kofoed, Lise |
Data Auditorio: Towards Intense Interaction, an Interactive Hyper-Directional Sound for Play and Ubiquity
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Misawa, Daichi; Odai, Kiyomitsu |
Ecologically grounded multimodal design: The Palafito 1.0 study
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Keller, Damián; Timoney, Joseph; Constalonga, Leandro L.; Capasso, Ariadna; Tinajero, Patricia; Lazzarini, Victor; Soares Pimenta, Marcelo; de Lima, Maria Helena; Johann, Marcelo |
Ethos in Sound Design for Brand Advertisement
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Toppano, Elio; Toppano, Alessandro |
Implementation and Evaluation of Real-Time Interactive User Interface Design in Self-learning Singing Pitch Training Apps
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Lin, Kin Wah Edward; Anderson, Hans; Hamzeen, M.H.M.; Lui, Simon |
Modes of Sonic Interaction in Circus: Three Proofs of Concept
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Elblaus, Ludvig; Goina, Maurizio; Robitaille, Marie-Andrée; Bresin, Roberto |
N-gon Waves – Audio Applications of the Geometry of Regular Polygons in the Time Domain
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Chapman, Dominik; Grierson, Mick |
PheroMusic: Navigating a Musical Space for Active Music Experiences
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Nymoen, Kristian; Chandra, Arjun; Glette, Kyrre; Torresen, Jim; Voldsund, Arve; Refsum Jensenius, Alexander |
POLISphone: Creating and performing with a flexible soundmap
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Lopes, Filipe; Rodrigues, Paulo |
Sonic Scenography - Equalized Structure-borne Sound for Aurally Active Set Design
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Lähdeoja, Otso; Haapaniemi, Aki; Välimäki, Vesa |
SoundScapeTK: A Platform for Mobile Soundscapes
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Stoll, Thomas |
Takt: A read-eval-play-loop interpreter for a structural/procedural score language
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Nishimura, Satoshi |
Learning Musical Contour on a Tabletop
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Franceschini, Andrea; Laney, Robin; Dobbyn, Chris |
MUSIC TECHNOLOGY'S INFLUENCE ON FLUTE PEDAGOGY: A SURVEY OF THEIR INTERSECTION
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Siwiak, Diana; Kapur, Ajay; Carnegie, Dale A. |
Recommending Music to Groups in Fitness Classes
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De Carolis, Berardina; Ferilli, Stefano; Orio, Nicola |
The “Harmonic Walk”: an Interactive Educational Environment to Discover Musical Chords.
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Mandanici, Marcella; Rodà, Antonio; Canazza, Sergio |
THE EFFECTIVENESS OF VISUAL FEEDBACK SINGING VOCAL TECHNOLOGY IN GREEK ELEMENTARY SCHOOL
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Stavropoulou, Sofia; Georgaki, Anastasia; Moschos, Fotis |
The Use of Apprenticeship Learning Via Inverse Reinforcement Learning for Generating Melodies
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Messer, Orry; Ranchod, Pravesh |
Mobile Instruments Made Easy: Creating Musical Mobile Apps with LIBPD and iOS, No Experience Necessary
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Holmes, Danny |
Demo: Using Jamama’s MVC features to design an audio effect interface
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Lossius, Trond; Wolek, Nathan; de la Hogue, Theo; Baltazar, Pascal |
SYSTab: A proactive real-time expert system for ancient Greek music theory and notation
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Carlé, Martin |
Making People Move: Dynamic musical notations
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Hoadley, Richard |
LISTENING OTHERWISE: PLAYING WITH SOUND VIBRATION
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Criton, Pascale |
Spinphony Demo
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Nilsen, Mark Robert |
i-score, an Interactive Sequencer for the Intermedia Arts
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Baltazar, Pascal; de la Hogue, Théo; Desainte-Catherine, Myriam |
Sound and Music Computing at Aalborg University in Copenhagen
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Serafin, Stefania; Dahl, Sofia; de Götzen, Amalia; Erkut, Cumhur; Overholt, Dan; Purwins, Hendrik; Sturm, Bob |
The Centre Iannis Xenakis’s establishment at the University of Rouen
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Delhaye, Cyrille; Bourotte, Rodolphe; Kanach, Sharon |
CeMFI and Earquake: (Epi-)Centers for Experimental Music, Media and Research
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Hadjakos, Aristotelis; Bock, Steffen; Lévy, Fabien |
University of Helsinki Music Research Laboratory and Electronic Music Studio – The first 50 years and beyond
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Lassfolk, Kai; Ojanen, Mikko |