A Music Composition Model with Genetic Programming: A Case Study of Chord Progression and Bassline

Created by W.Langdon from gp-bibliography.bib Revision:1.7615

@TechReport{weko_142733_1,

• author = "Kanae Kunimatsu and Yu Ishikawa and Masami Takata and Kazuki Joe",
• title = "A Music Composition Model with Genetic Programming: A Case Study of Chord Progression and Bassline",
• institution = "IPSJ SIG Technical Report",
• year = "2015",
• type = "MPS-104",
• number = "7",
• address = "Japan",
• month = "27 " # jul,
• keywords = "genetic algorithms, genetic programming",
• URL = "http://id.nii.ac.jp/1001/00142669/",
• URL = "https://ipsj.ixsq.nii.ac.jp/ej/IPSJ-MPS15104007.pdf",
• URL = "https://ipsj.ixsq.nii.ac.jp/ej/?action=pages_view_main&active_action=repository_view_main_item_detail&item_id=142733&item_no=1&page_id=13&block_id=8",
• size = "4 pages",
• abstract = "In this paper, we present the improvement of our automatic music composition model using genetic programming, which is constructed with two independent but cooperative models for chord progression and melody. The improvements are the chord progression generation model and the bassline generation model. The chord progression generation model, considering tension notes, generates chord progression suitable for jazz blues. In the music theory, tension notes that are granted for the corresponding chords are determined for some cases but it is not easy to automatically determine what to apply from such theoretical chords. In this model, by focusing on the relation between the chord top notes with tension notes and melody tones, we attempt to automatically generate chords. Further, by adding the bassline generating part, this system is applied to Jazz improvisation.",
• notes = "in Japanese",

}

Genetic Programming entries for Kanae Kunimatsu Yuu Ishikawa Masami Takata Joe Kazuki

Citations