abstract = "This paper presents a brief overview of music
evolution- western and non-western music- from its
genesis to serialism and the Darmstadt school. Some
mathematical aspects of music are then presented and
confronted with music as a form of art. Some questions
follow: are these two (very) distinct aspects
compatible? Can computers be of real help in automatic
composition? Evolutionary Algorithms (EAs), Genetic
Algorithms (GAs), Genetic Programming (GP), Particle
Swarm Optimisation (PSO) and Ant Colony Optimisation
(ACO), are then introduced and some results of GAs and
GPs application to music generation are analysed.
Variable fitness functions and PSO application seems a
promising way to explore. However, what output should
be envisaged? Should we expect that computer music
sounds as human music, or should we look for a totally
different way to explore and listen? How far can go
computer creativity and in what direction? 1. A Brief
History of the Western Music What is music? Citing
Edgar Varese [19], music is organised sound. A well
known definition from the late 19th century states that
music is the artful or pleasing organisation of sound
and silence. However, the way sounds are organized has
dramatically changed over the years and among different
cultures. In fact, music is found in every culture and
even in the most primitive and isolated societies.
Perhaps invented in Africa at least 50.000 years ago,
music spread all over the world giving rise to
completely different forms of expression ranging 2 from
primitive tribal songs to sophisticated concerts, from
Gregorian chant to serialism, also including Indian
ragas, (Chinese) pentatonic scale based music,",